The many avatars of Asaram Bapu / The Asarams around us

[ Daily News and Analysis, 28 Oct 2013 ]

The way the likes of Asaram Bapu and other ‘godmen’ have allegedly taken sexual advantage of the iniquitous power dynamic they had with their ‘disciples’ makes any consent in their acts questionable. Especially in the case of Asaram Bapu, the image of this man with ‘fans’ and disciples half his age or even less has evoked widespread revulsion from disciples and non-disciples alike. What Asaram preaches cannot be separated from what Asaram does. Can we extend these criteria to others? Which other people get away by taking advantage of iniquitous power dynamics?

There is something called ‘artistic license’, a concept often used to create a smoke-screen of exception around activities otherwise abhorrent. Some things are apparently okay if an iniquitous power situation is perpetrated by an artist, writer, poet, musician, visual artists, film-types – some ‘creative’ person. Not everyone is like this but you know the type we are talking about. In this ‘creative’ crowd, one often discovers characteristics that Asaram would recognize. A famous Bengali poet-novelist was known for his ‘intellectual’ communion with fans, typically half his age. Another equally famous and now-deceased writer of romance from Bangladesh married his daughter’s friend who was into films. Typically, they marry or propose to people half their age. The need for ‘fresh meat’ is a sick mentality that they can couch well by their word-wizardry and their ‘artistic’ bent. Some who marry early (like the deceased poet-novelist) put their spouses through a life of shame and indignity. Those who were just too cool for marriage before their 40s make it up by marrying people half their age. Are god-men the only schemers while these are on experimental ‘journeys’? Do these writers write why they mostly like them young – or will that literary ‘exploration’ destroy the ‘opportunity’ at hand one might be nourishing? Will abstract painters paint and film-types make ‘experimental’ films on the nitty-gritties of their inner schemes? That we don’t call out what’s going on here should cause serious self-reflection in those of us who condemn the Asarams. This blind-spot is especially troubling due to the deep sexism embedded of these circles. In such inequities, the less rich, famous and younger is mostly a female.

How do these wreckers of families and individuals, get such a long leash? Just because they are rich celebrities who can charm young ones in whirlwind summer romances of ‘special attention’ when people of their own age cohort have moved on? The combination of age, power/fame and economic difference is characteristic of a predator. Sadly, the victim’s false sense of agency is characteristic of the ‘liberated’ circles. Just like god-men, predators also often have a fully liberated person in every town, you know, just in case on has to drop in for some relief and ‘catching up’. Some victims are lured into thinking that they too are part of the predator’s dreamy, ‘interesting’, ‘care-free’, ‘experiential’ and ‘experimental world. This charade of agency is important for the ‘liberated’, for from that flows a sense of consent. Tragically, the predators know this too well and use to the hilt to their advantage.

Some victims return to society to cut losses. It hurts the pride of the ‘conscious’ and ‘liberated’ victim to admit that. Society holds the bag to collect the wreckage; due to ties it considers sacred – family values, matrimony and other markers of ‘backwardness’. If only these backward types could mix in the right circles, read the correct books and be ‘articulate’, snort the right stuff in right company, then they would understand such ‘creative’, ‘consensual’ projects. But alas.

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Filed under Culture, Elite, Eros, Gender, Our underbellies, Sahib, Scars, Sex, The perfumed ones, Under the skin, Urbanity

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