[ The Friday Times (Lahore) May 11-17, 2012 – Vol. XXIV, No. 13 ; Viewpoint Online ]
The left-wing student organization I belonged to in my college days in Kolkata, used to have a poster exhibition every year, ever since the 1992 demolition of the Babri structure. One of them had those memorable words calligraphed red-black in a typical Bengalee left-wing style – “The child noticed the coagulated blood on the road, pulled at his mother’s sleeve and said, ‘Look, ma, jelly’.” That was not the whole of the very short ‘story’ and to read the rest, I discovered Manto.
There is a lot of hushed and not-so-hushed lamentation in this year of Sadat Hasan Manto’s birth centenary. Why did he leave Bombay? India would have been so much of a ‘natural’ home, they say. Somewhere between pronunciations such as these that is so characteristic of the self-congratulatory strain of elite public-secularism and a second-hand appreciation of Manto’s raw exposition of the chasm between our private and public lives, lies the attitude by which we look at Manto. The Anglicized literati and their patron, the Indian Union, wants to own Sadat Hasan Manto. They are masters at making cages for living writers – some gilded, some iron-made. Some cages become sarkari mausoleums after the writer’s death. Zoo tigers do not bite, generally. Clearly, the enthusiasm some folks on this on this side of owning Manto comes from a hope that sooner or later, a suitably golden cage could be made for him in the Union of India, for us to clap at. I am not so sure.
Today, in Delhi and other places, Manto is dramatized, commemorated, written and read, largely in English. Urdu’s currency as one of the pervasive languages of the common public sphere (and not ‘qaumi’ affairs) of the Upper Gangetic plain has seen progressive ruin. Read primarily in English, would he want to be read much less than Chetan Bhagat? Would Manto have loved this loss of readership, would he have wanted to be primarily remembered for getting a Filmfare award for lifetime achievement in writing stories for Hindi movies? I am not so sure. He might have written about the more gosht the Union would serve up, not only mazhabi gosht, but from a thousand faultlines. He might have written about the garam gosht cooked up in Delhi in 1984 and Ahmedabad in 2002, if he lived to be 90. Would he not be accused of writing only against Hindu violence? I am not so sure. He certainly would have written about a lot of gosht served up in East Bengal in 1971. There would not have been the 2005 postage stamp then. Dying young has its benefits.
He might have looked at the Saltoro range and the slow-killing heights of Siachen. He might have peered into that deathly whiteness, peered deep into it and among the frostbitten parts of the limbs would have located the new coordinates of Toba Tek Singh. Not content with ‘obscenity’, there might have been calls for him to be charged with sedition. That would have been true, irrespective of his leaving Bombay or not. He would have continued to write about sensuality that permeates life in the Subcontinent. Invariably, they would have intersected with more than one faith, belief and god(s), for they too pervade the public and public life in the Union of India. Like Maqbul Fida Hussain, that sterling admirer of the goddess Durga who liberated her from the patently mid 19th century blouse-clad look, reimagining the holy mother in her naked matriarchal glory, Manto’s run-ins with ‘public sensibilities’ might just have been enough to eject him from Bombay. Almost surely, as it happened with Hussain, a robust on-the-ground counter to hate-mongerers would have been found wanting. Hardly being ‘Pak’, in the long run, perhaps he would have been easily pushed out of Pakistan also, where he “had only seen five or six times before as a British subject”.
The inner crevices of the human psyche, where the shadow cast by public stances falls short of darkening it completely, acculturated beliefs, socially learnt prejudices as well as greed, eros and love come together, in that twilight zone, Sadat Hasan Manto looked for faint shades of light, looked compassionately, critically, and saw the human. In these perilous crevices, where few dare travel, lest it start exposing their own selves in variegated greyness, Manto ventured often. It is this vantage that makes him an equal-opportunity lover and an equal-opportunity destroyer. He writes in his ‘Letters to Uncle Sam’, “Out here, many Mullah types after urinating pick up a stone and with one hand inside their untied shalwar, use the stone to absorb the after-drops of urine as they resume their walk. This they do in full public view. All I want is that the moment such a person appears, I should be able to pull out that atom bomb you will send me and lob it at the Mullah so that he turns into smoke along with the stone he was holding”. The Hindu fanatics are not amused at this, for they know, barring the specifics, he would have been as acerbic towards them. He stands tall, rooted in social realities, beyond posturing self-flagellation of progressives. Elite India’s sordid attempt at appropriating Manto’s sanjhi virasat , with careless drops of French wine falling on ornate carpets in restricted entry programmes where Manto is performed and fashionably consumed as a marker of ‘liberalism’ and ‘refinement’, might also attract the lobbing of a thing or two.
Descended from the Kashmiri brahmin caste of Mantoo, the despair of Sadat Hasan the Bombayite post 1947, parallels, in many ways the state of the greater community of the pandits, where circumstances slowly made them aliens in their natural home. This decentering by forces beyond their control is the story of Manto, and also the story of many in the contemporary subcontinent. Cynicism and prejudice make better bedfellows than many would like to admit. Manto possibly stares at us with irreverence at the examples of our reverence, at our Gujarats and Rinkle Kumaris, our Asia Bibis and Ishrat Jahans. As we grow taller in our own eyes by fashionably ‘appreciating’ Manto, curled up in our beds, curtains closed, windows closed, our sad pretensions only become clearer. But there is no Sadat Hasan to chronicle our shamelessness.